Panasonic Lumix DMC-FZ50 Digital Digital Camera by Experts, Panasonic Lumix DMC-FZ50 Digital Digital Camera Reviews, Panasonic Products

The Leica DC Vario-Elmarit lens on the DMC-FZ50 has passed the stringent character standards of Leica Camera AG, the acclaimed demon of cameras further lenses being the world's photographers. This unspoiled lens the book consists of single ED (extra-low dispersion) lens again fourteen lens elements pressure ten groups, including three aspherical lenses. The ED lens employs a special optical glass to compensate for chromatic aberration. It suppresses the color bleeding and reduced sharpness that tend to occur in telephoto shots, to produce crisper, clearer images. Backed by superb Leica optical quality, this lens system renders breathtakingly beautiful images that are bright and have minimal distortion. The aspherical lenses extend this extraordinary performance all the way to the edges of the image, and help to make the lens more compact. To fight against the major cause of blurred images, Panasonic invented the MEGA O.I.S. system taking advantage of its outstanding lens technology to compensate for handshake - a feature which has long been incorporated into the LUMIX range of cameras. In addition, the DMC-FZ50 also compensates for the other major cause of blurred images - movement of the subject.

The world's first Intelligent ISO Control (I.I.C.) function, made possible by the Venus Engine III, detects the subject's movement and adjusts the ISO setting and shutter speed to best suit the subject movement and the light condition automatically. The Venus Engine III also enables high-sensitivity recording up to ISO 1600 in full resolution manually. Panasonic's excellent image stabilizing system allows users to take clear, crisp images in any situation automatically, leaving everything to the camera. The DMC-FZ50 adopts the Venus Engine III to realize high sensitivity recording at max. ISO 1600 at full resolution. The noise reduction system is greatly improved by removing noise at the processing stages in series. First, critical noise is roughly undraped and the chromatic noise and the luminance noise are separated to respectively go through the supplemental noise reduction process so that the remaining noise is appropriately minimized. In addition, chromatic aberration is also reduced so beautiful images are assured even in telephoto shooting.