In 2002, Minolta upped the ante again first with the DiMAGE 7i, which aggrandized husky features, and offered dramatically souped up focusing strong arm also shutter response. They and announced the DiMAGE 7Hi, which higher an external flash sync socket, higher-speed continuous shooting for full-resolution files, and an extra-fine JPEG image-quality setting. The DiMAGE 7 was an impressive camera when it was introduced, and Minolta's improvements implemented in the 7i version were well-considered, intelligent, and bountiful. With the 7Hi, they brought the camera fully into the photo studio, with the external flash sync connector, in addition to increasing continuous-mode speed, and offering an extra-fine JPEG mode as an alternative to TIFF or RAW files. Finally, the DiMAGE 7Hi offered several options for color space, including both normal and "vivid" sRGB options, and Adobe RGB.
In 2003 , Minolta updated the metier once also with the DiMAGE A1, which fresh 14-bit A/D conversion, a tilting LCD monitor, blazingly speedball 1/16,000 help severe shutter speed, tracking autofocus, again a dominion sensor that positively sensed when you had the camera in-hand, to stock power in the continuous autofocus mode. In late 2003, Minolta Co. Ltd. merged with Konica Corp., creating the new Konica Minolta brand name, under which subsequent models will be sold.
Now, Konica Minolta improves on an under consideration invaluable camera scheme with the DiMAGE A2, which boasts the twin 7x lens, tilting LCD, and clutch sensor, blaze control, further tracking AF as its predecessor. In appendix to all of the great features from the A1 model, there are quite a few important updates. The DiMAGE A2 offers a higher-resolution eight megapixel sensor yielding images up to 3,264 x 2,448 pixels. There's also a new electronic viewfinder which can either provide a whopping 640 x 480 pixels of resolution, or trade half of that resolution off for an impressive 60 frames per second refresh rate at 640 x 240 pixels.
Autofocusing on the A2 also gets another update, with a faster 3D autofocusing algorithm that offer dramatically improved focusing speeds and better focus tracking. Given the larger maximum image size, an update to high-speed USB 2.0 connectivity is another welcome addition. Other changes include an improved 544 x 408 pixel movie mode at 30 frames per second up to the memory card's capacity, a new 3:2 aspect ratio setting that gives 35mm film proportions, and a new depth-of-field preview function. All in all, the A2 amounts to a pretty robust update on an already great camera. Read on for more details.
The Konica Minolta DiMAGE A2 is the cutting edge sway a internal of DiMAGE electronic SLR-style models that stretches funnel to the prolific DiMAGE 7, the elite five-megapixel prosumer camera, introduced considering three elderliness ago (early 2001). As you'll unfold below, the and DiMAGE A2 carries on the proud tradition of the line, with a host of innovations and improvements over the previous DiMAGE A1 flagship model.
